100 years of indian cinema

100 years of indian cinema

Following the nation's independence, the s and 40s were marked by socialist themes and the fight against poverty and society for the marginalised. According to popular lore, Charlie Chaplin really liked the Marathi film and praised Shantaram for his work in 'Manoos'. This Hindi film which stars Sanjay Dutt and Arshad Warsi in the lead roles provides comic relief through its story and performances. Kishore Kumar and Mehmood's spontaneity is still a treat to watch. As writer and essayist Mukul Kesavan wrote, "The art of the cinema was fashioned in India at the same time as it was developed in the West". A century later, the excitement, enthusiasm and madness for movies has only got madder. French cinephile Yves Thoraval, author of The Cinemas of India, recalls at the advent of the first Indian movie, "The Indians showed immediate enthusiasm for this exciting novelty". As Shoojit Sircar, the filmmaker of the Hindi sleeper-hit Vicky Doner put it, "Indian cinema is welcoming real and new role-casts for its stereotyped characters". Despite rising production costs, India continues to lead in terms of quantity. The first Indian motion picture Raja Harischandra was produced and released in India in , barely a year after the world's first motion picture was made in It featured the two giants of the industry, Uttam Kumar and Soumitra Chatterjee, in a single film and marked Soumitro's debut in a negetive role. But, it turned out to be one of the most acclaimed films after its release in

Romantic melodrama - or, in India cinemaesque-speak, masala entertainment - remains the staple of Indian cinema across the 15 or more regional language movie industries across the country.

As writer and essayist Mukul Kesavan wrote, "The art of the cinema was fashioned in India at the same time as it was developed in the West". Following the nation's independence, the s and 40s were marked by socialist themes and the fight against poverty and society for the marginalised.

Bollywood, India's most widely watched Hindi moviedom, is changing its plot.

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Two photographers take on a project with a tabloid to expose the dealings between a builder and a Municipal commissioner. As writer and essayist Mukul Kesavan wrote, "The art of the cinema was fashioned in India at the same time as it was developed in the West". A story about a father's love for his daughter, Hemen Gupta's film had some beautiful moments which till date bring a smile to one's face. Even the strongest of hearts would cry when Vasu and Sapna commit suicide in the end. A century later, the excitement, enthusiasm and madness for movies has only got madder. Outsiders' charge In the 21st century, Indian cinema is both revisiting and breaking new grounds. Heroes were valorous, heroines gamine, and villains leering and evil. It's no mean feat that India produces more films across all its regions than Hollywood. But it was Balraj Sahni's performance which made this Hindi film special. These are actors and filmmakers who do not belong to any film families or yesteryear studio honcho heirs, which are a very tight-knit lobby. As Shoojit Sircar, the filmmaker of the Hindi sleeper-hit Vicky Doner put it, "Indian cinema is welcoming real and new role-casts for its stereotyped characters". It featured the two giants of the industry, Uttam Kumar and Soumitra Chatterjee, in a single film and marked Soumitro's debut in a negetive role. This multi-layered Telugu film never gives the audience a chance to feel good about the protagonist. The premise of 'Padosan' was like any other conventional Bollywood film but what made it different was the acting by Kishore Kumar, Mehmood, Sunil Dutt and Saira Banu and its super melodious songs.

G Venket Ram, fashion and film professional, says: "The marriage between films and fashion and social trends is never as close as in India". Tamil cinema is making realistic gritty rustic dramas located in the rural hinterland and fantasy films harking to the origins of the Tamil kings of pre historic times.

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The love between Raj Shah Rukh Khan and Simran Kajol echoed through the hearts of the youth of the 90s and became a cult. People were rich or poor as per the country's economic status, beauty was commodified as per the latest rock chick regalia in the West and Indian sensibilities that included family values, traditional and orthodox views of female sexuality prevailed, and good and evil were always in black or white.

This Bengali film not only established the lore surrounding their everlasting friendship but also helped build them up as a larger-than-life pair on screen and off it.

100 years of indian cinema wikipedia

The Bengali film charts the growing up years of Apu, the death of his father Harihar and his gradual drifting apart from Sarbajaya as emotional distance creeps in between him and his mother who was his anchor as a child. This Hindi film which stars Sanjay Dutt and Arshad Warsi in the lead roles provides comic relief through its story and performances. But, it turned out to be one of the most acclaimed films after its release in Tamil cinema is making realistic gritty rustic dramas located in the rural hinterland and fantasy films harking to the origins of the Tamil kings of pre historic times. But it was Balraj Sahni's performance which made this Hindi film special. They are a far cry from the ostentatious, over-the-top entertainers set in European and American locations imitating Hollywood teen rom-coms. G Venket Ram, fashion and film professional, says: "The marriage between films and fashion and social trends is never as close as in India". As Shoojit Sircar, the filmmaker of the Hindi sleeper-hit Vicky Doner put it, "Indian cinema is welcoming real and new role-casts for its stereotyped characters". India One hundred years of Indian cinema Fascination for movies has not faded a century after the first motion picture was made in the nation of one billion. From the silent pictures to the talkies, from black and white to technicolour, from cinemascope to hand-held devices, Indian cinema has kept pace with global cinema in its longevity and its ability to make a sub-continent dream a little larger. The love between Raj Shah Rukh Khan and Simran Kajol echoed through the hearts of the youth of the 90s and became a cult.

Thus the famous Bollywood template from the s to was large, broad and flat. Vishal Bhardwaj's screen adaptation of Shakespeare's Macbeth had some powerful actors in star cast.

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Hooray for Bollywood: years of Indian cinema